With my visual art’scape barren, I’ve been writing a lot, having finished a trilogy of adventure stories for ‘grown-up children’ (that’s my category, so not, definitely not, ‘children’s fiction’) and writing mainly environmental poetry (some here) in which I find great solace away from the ravages being wrought on our poor little lonely planet by warmongers, wildlife abusers, religious zealots and industrial powerhouses… oh, let’s call that ‘civilisation’ shall we?
So, with my studio being dismantled (‘wrecked’ would be another word) and with little thought of painting especially since my portrait of the ‘February Girl’ was rejected for the summer exhibition by the Westward Ho! & Bideford Art Society, I was hit for six by finding I’d sold six paintings in one week; or rather, to be strictly truthful, sold 3 and bartered 3 (for a new studio roof, oh, I love bartering!). The three sold went to a collector in California – who already has one or two of my works.
Rejected Portrait of the February Girl, Oil on hardboard 41 x 30 cm (detail right).
I find it interesting that the three sold were from my last days in Cornwall, with the three bartered ones being more recent.
One of the sold ones was very dear to me, and I’m grateful it’s gone to a good home somewhere far away across the Atlantic – over which that studio looked – almost! It is ironic that literally right now, 20 years later, I’m having to destroy another studio, this one next door to Cornwall in Devon! Oh, life’s little ironies.
After receiving them, my Californian collector wrote the following words – which I quote with his permission. I’d like to share them because, a) it’s so rare for buyers to be quite so complimentary, and b) if his words help encourage other struggling non-standard artists to carry on so much the better. By ‘non-standard’ I mean in the sense of objective technique (knives, no brushes, wet into wet quickly) and not subject matter – which I accept (very happily) is as old as art itself.
If anyone is interested I’ll show and talk about the three bartered paintings another time. Do let me know, also anything else on ‘Leave a reply’ facility so that others can get a different perspective. I’m always really pleased to hear – it’s a lonely old business this.
Thanks for reading. I’m as grateful for DKN’s comments as he seems to be for the actual paintings, hence the title of this piece.